They were a cue to let the listener know they were listening in on a fight on each record. ![]() 36 Chambers eschewed radio-friendly mixing for a murky soundscape of quaking, dusty kick drums and piercing snares serving as the foundation for a rollercoaster ride of menacing basslines, gloomy jazz and soul loops, and of course, those classic, song-anchoring vocal clips from Kung Fu flicks. The album, which was entirely produced by RZA, was as frenetic as New Jack Swing and informed by the sample layering techniques of RZA’s peers Prince Paul and Q-Tip, but for the most part, he concocted his own sinister formula at Staten Island’s Firehouse Studios. The Wu’s breakout single, “Protect Ya Neck,” was the antithesis of those polished soundscapes, as was the rest of 36 Chambers. Dre’s G-Funk sound, the Teddy Riley-popularized New Jack Swing, and the feel-good stylings of Native Tongues collective acts such as De La Soul and A Tribe Called Quest. In the early ‘90s, hip-hop music was defined in part by Dr. Their love for the Golden Era can be explained through the tremendous impact of the Wu. People don’t swear by ‘90s hip-hop as a mere nostalgic talking point. The album’s one of a kind conception, and the ascendance that followed it exemplifies the power of hip-hop’s early-to-mid-1990s Golden Era. ![]() Friday marks the 25th anniversary of Wu-Tang Clan’s Enter The 36 Chambers, a sword-slashing, ominous epic that carved a left-field path for every hip-hop iconoclast to follow.
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